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Avalon Amp
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 95 96 97 98 99 AVALON AUDIO EQUIPMENT AMP 7 SPKRS  US $25.00
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 95 96 97 98 99 AVALON AMP 7 SPKRS US $29.99
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 95 96 97 98 99 AVALON AMP 7 SPKRS US $29.99
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 95 96 97 98 99 AVALON AMP 6 SPKRS US $35.00
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 95-99 TOYOTA AVALON RADIO AMP AMPLIFIER 86280-AC021 US $49.99
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 95-99 TOYOTA AVALON RADIO AMP AMPLIFIER 86280-AC021 OEM US $54.99
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Alternative music festivals in the U.K. are world-renown for hosting a comprehensive bill of innovative musical acts in gorgeous pastoral settings. The top five festivals boast internationally known headliners with a healthy sampling of up-and-comers.
5. Latitude Festival
Moody, elegiac singer-songwriters such as Nick Cave and the Bad Seeds have headlined this ecologically conscious festival, which takes place in July in Sunrise Coast, Suffolk. Aside from showcasing extensive musical talent, the Latitude festival also encourages festival goers to preserve the natural beauty of their surroundings, both at the festival, and at home.
4. Reading
Originally a festival featuring primarily jazz, Reading has evolved into a multi-day event that includes dance, hot new indie bands, and internationally recognized artists for a full slate of contemporary alternative music. Held next to the Thames river, the Reading festival sprawls over several acres of vibrant countryside, encouraging visitors to not only revel in the music, but in the elegance of the site.
3. Leeds
Held in Branham Park, West Yorkshire, the Leeds music festival has not only featured the musical royalty of the U.K., with acts such as Radiohead and Ian Brown, but also world imports like the Kings of Leon and Fall Out Boy. The festival combines all of these high-powered musicians with a slew of promising and delightful new talents. This yearly extravaganza boasts six stages and no shortage of musical entertainment.
2. Isle of Wight
For those who prefer their alternative musical festivals to take place in floating environs, the Isle of Wight pairs seasoned performers with cutting-edge artists, including an impressive roster of world-class rappers. This is one of the few festivals where you can snag a cheap hotel and head over to the expansive main stage to catch an evening of eclectic performances from groups ranging from soulful rockers James to the razor-sharp rapper Jay-Z.
1. Glastonbury
One of the oldest and most consistently prestigious U.K. alternative festivals, Glastonbury has revived careers and launched new superstars in the scenic setting of the Vale of Avalon. The unbeatable yearly line-ups have made it one of the largest festivals in the world, with a previous record-breaking attendance of over 177,000. Since 1970, attendees have been staying in nearby cheap hotels to take in the full measure and glory of Glastonbury. With a lineage of performers including David Bowie and the Pixies, Glastonbury has firmly established itself as the premier alternative U.K. music festival.
Roo Sadegi is a travel writer based in London's East End, although he spends much of his time travelling around Europe's travel hotspots.
Working Out What You Need for Your Home Recording Studio
An important consideration when looking to set up a 'home recording studio' is how you will use it. You will need to work out how many things you want to record or plug in at any one time or you might wind up with uneccessary gear-or not enough!
Let's look at a typical example of 'Vinnie' the guitarist who has a desire to show his 'band' how the songs should be played.
No matter how many times he's tried to explain, they never quite get it right, so the only way he can see to achieve this is to record it all 'properly' himself.
What does Vinnie need?
He needs to record a basic drum pattern - nothing fancy - he wants to record two electric guitars, an acoustic guitar, he wants to record a bass guitar and record a main vocal and two backing harmonies.
Vinnie of course will not do all this at once, so even though he needs to record 9 things does he need 9 channels?
No.
All he really 'needs' is a maximum of 4 inputs- two with pre-amps. He will also need a microphone to sing into and to record his acoustic guitar, we will asume he has a guitar amp simulator to record the electric guitars and bass and that he has a physical drum machine or one inside his computer or stand alone hard disc recorder.
Vinnie could easily walk down to his music store or get online and find what he needs to get the job done. He could look at a computer recording package with appropriate software and specialised sound card for audio recording. Some companies provide these all in one packages Lexicon, M-Audio, Pro-Tools and Presonus are good brand names to look at as a starting point, but be aware that recording onto a computer can be a frustrating experience if you're not computer savy.
Vinnie's other alternative is the stand alone hard disc recorder with a built in mixer section. Any of the offereings from Fostex, Yamaha or Boss/Roland would take care of his needs, at this point Vinnie just wants to get his ideas onto the physical plain as quickly as possible so others can hear them- so he'll probably need a CD burner thrown in to the equation unless his machine can link up to a computer-as a number of them now can do.
Now let's look at another example of Barabra who plays in a four piece folk/rock group. They want to record a couple of songs for CD release. All the instruments her band uses are acoustic; Double Bass, Violin ,Guitar and Banjo.
Three of the group also sing. Now Barabara is lucky enough to have a large secluded garage space available for her group to rehearse in and given they don't annoy the neighbours by making too much noise she wishes to record the band as a 'whole' for the best vibe-what will she need?
4 X Instrument Microphones or D.I. [direct injection] boxes
3 X Vocal microphones
8 inputs with Microphone Preamps
Capacity to record on 8 channels at once.
There are some limitations with stand alone recorders, some of them will only let you record on 2 channels at once, another thing to be aware of is the 'quality' of the recordings.
Some years ago during the 'compression algorythm' wars, clever boffins discovered that our ears can 'fill in' missing information, in the same way that you can look at the scrambled letters of a word but are still able to decipher what it is.The boffins kept removing bits of what our ear was hearing until they came up with a formula [algorythm] that fooled our ears most of the time. These are known as 'compressed' formats as they 'squish' the sound in such a clever way that we don't notice.
Almost all commercial and home recording computer software will record 'linear'[non-compressed] files to your computer hard disc. Pro-tools,Logic Audio, Cubase, Sonar all do this. Later on when you 'mix-down' your songs you can turn them into mp3 files for podcast or to load to your portable digital music player. Adobe Audition and Steinberg's Wavelab are two programs I can think of that record direct mp3 files- but they are not 'full function' multitrack programs.
When we deal in compressed formats- mp2 mp3 etc, 'unneccessary' information is removed making the file sizes smaller [and hence downloads faster]- so these are 'compressing' the files. The advantage for the home recordist is that less hard disc space is needed.
A consideration when looking at stand alone recorders is to ask the question- do I want compressed or uncompressed audio. If you have any intention of turning these recordings into something for release then the uncompressed format is the best- you will lose some quality by using a compressed format, but your ideas will be captured quickly for you to work on later. Also bear in mind that a number of hard disc recorders can later transfer data to a computer software system for more elaborate processing so if you use a non-compressed recording format you will retain the quality of your recording.
Now when Barabara popped down the music store to express her needs she told the sales person that, "she wants a high quality recording of her group but I have no idea about computers" so the salesman suggests a stand alone unit with eight inputs that records the data in a non-compressed format. As she doesn't have a huge budget she chooses to hire in most of the microphones for this recording session. The man at the shop suggests she uses condensor microphones for the instruments and dynamic Shure sm58's for the vocals.
A crucial quality consideration at this point is the 'pre-amp'. What does that do and why is it so important you ask?
After your microphone has done the incredible job of sorting out sound pressure waves and converting them into electrical signals, they arrive via microphone cables at the 'pre-amp'-a short way of saying pre-amplifier. For years I struggled to really 'get' what a pre amp did, unitl I understood this:
When the microphone puts out a signal it is very very very very tiny. I now call this 'mouse level'. Once it's gone through a pre amp it becomes 'elephant level', something that our mixing consoles and digital recorders can use easily.
Hear this:
Depending on the quality of the compoments used, this amplification process can make or break the quality of the recorded sound. A bad pre-amp will add hiss and noise to your recording
Most stand alone recorders and computer sound card interfaces have 'adequate' microphone preamps. To make your recordings 'shine' I would suggest getting an 'outboard'[separate component] pre-amp, though having said that the pre-amps in high end Yamaha consoles are gaining a very good reputation. Focusrite/Joe Meek/Avalon/Tc Electronics are great brands. Currently I use a Focusrite Twin-Trak pro, a device specifially for home recording enthusiasts.
To sum up, our friend Vinnie will probably be quite happy with an off the shelf hard disc recorder with 4 or so inputs that records 'compressed' files because he is only trying to show his band colleagues a 'rough' idea of how he hears things.
Barbara who is not computer savy is looking for a more polished end product and wants to record her group in the best quality for a CD the band will release, hence she needs to record 'linear' [non-compressed] data and will look for a unit with the best quality pre-amps she can buy.
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My car has a built in amp but i want to hook up an after market radio????
SOMEBODY TOLD ME THAT YOU HAVE TO BY PASS THE BUILT IN AMP (how would i do that)IF NOT THE RADIO WONT SOUND RIGHT OR WONT SOUND AT ALL IS THIS TRUE???(95 TOYOTA AVALON)
there is two ways metra makes a plug with rca s on it or buy pass the amp completely toyota amps are 25watss the stereo you are putting in is probably 50watts x4 find the amp and look for blu with yellow stripe brown gray wires on it unplug from amp and wire on harness there.
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