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Cass Factory
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It seems that not a month goes buy without one of our suppliers raising their prices, and at a recent party, Avant Garde's Diddy Reeve and Cass Manning got the low down on just why our gold jewellery is so dear at the moment.
We met with Peter McGahan, the FT award winning Managing Director of Worldwide Financial Planning. Peter stopped our moaning and explained that the fickle precious metals industry has just seen gold hit a six month high, falling just slightly short of the all time record value.
He said "Recent financial uncertainty has driven big time investors to that safe haven of gold. It is such a solid and quantifiable asset that gold has once more become a favourite in these uncertain times thus driving it's popularity and value up. Serious investors interested in a safe place for their money are spending on gold bullion, and that makes the metal more expensive for your designers to buy as a processed material. This goes particularly for those designer workshops that are making small production runs of exclusive jewellery and who can't purchase in factory-type mass."
The good news is that the price of gold is expected to fall to more realistic proportions, but Peter is keen to emphasise that this must be a slow and gradual process in order for the delicate balance between inflation, interest rates and borrowing to be maintained.
But I Must Have That Necklace!
We, and more importantly our customers, are increasingly finding that the jaw-dropping price of gold and platinum jewellery is making those special purchases problematic. In a time when yellow gold jewellery is experiencing a renaissance, finding items to fit a budget is becoming increasingly difficult.
Thankfully, in a pragmatic response, contemporary jewellers are using a high quality gold plating - often called vermeil - to give a flawless gold lustre to the surface of sterling silver jewellery. Gold plating is no longer seen as a desperately inferior solution for those who cannot afford solid gold. While it is not suitable for all kinds of jewellery, plating gives us access to great looking, high quality contemporary jewellery. Designer jeweller Louise Wade uses 22ct gold vermeil over silver in her beautiful Swallow collection, giving it a gorgeous colour at the fraction of the cost of 22ct gold equivalent.
So, when you 'must have that necklace', but can't quite stretch to the price tag, we might well be able to offer a gold plated silver alternative.
Another alternative is to buy jewellery made of 9ct gold where you would usually buy 18ct or platinum. Whilst only made of 37.5% pure gold (the rest being alloy), as opposed to 75% in 18ct jewellery, 9ct gold offers a solid and permanent gold colour.
Cassandra Manning
http://www.avantgardejewellery.co.uk
E: info@avantgardejewellery.co.uk
T: 01872 320022
I hope you found this article useful, do visit our website (link above) for more articles like this and other interesting news about jewellery.
Haila Stoddard
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Haila Stoddard (1913- )
Brief Biography
Haila Stoddard is known for her work as an actor, producer, writer and director. Born in Great Falls, Montana, Stoddard moved to Los Angeles, California where she obtained a degree from the University of Southern California. In 1934 Stoddard made her first stage appearance at the Belasco, Los Angeles, in the play Merrily We Roll Along. During her career as an actress Stoddard appeared in a number of plays, movies, and television series including sixteen years as Pauline Rysdale in "The Secret Storm" (1954-1970). Stoddard career took her across the United States and spanned genres (including comedy, drama, revue, and romance).
Stoddard also worked as a producer, both independently and with her production company, Bonard Productions Incorporated, which Stoddard created with Helen Bonfils in 1960. In addition to adapting plays such as Come Play with Me and Men, Women, and Less Alarming Creatures, Stoddard also wrote plays such as A Round With Ring (1969) and Zellerman, Arthur (1979).
In 1938 Stoddard married Jack Kirkland with whom she had two children. The couple divorced in 1947 and in the following year Stoddard married Harold Bromley with whom she had one child. After divorcing Bromley in 1954, Stoddard married Whitfield Connor in 1956 with whom she remained married for thirty-two years until his death in 1988.
Career
For three decades a perennial star on New York stages and television, Haila Stoddard was the first to bring the work of James Thurber and Harold Pinter to Broadway. New York Times Drama Critic Brooks Atkinson called her 1960 adaptation of Thurber Carnival, he freshest and funniest show of the year. Her concept called for three upstage turntables for instant scene changes, and a jazz quartet moving across the sketches on a downstage conveyor belt.
Stoddard produced the Tony Award winning musical, her first production on Broadway, with Colorado heiress Helen Bonfils and Michael Davis. She had befriended Bonfils while appearing during the summer of 1953 as leading lady at Denver Elitch Theater where Miss Bonfils, the owner and publisher of The Denver Post, played character parts in the summer stock company. When Thurber granted Stoddard theatrical rights, Bonfils said oney, if youe got the rights, youe got the money!
Her original cast included Tom Ewell, Alice Ghostly, Paul Ford, Peggy Cass, John McGiver, and the Don Elliott Jazz Quartet, and was directed by Burgess Meredith. A later production, at the Central City Opera House, featured Thurber himself, then blind, as narrator.
Combining her name with Bonfils as Bonard Productions, and associating with her New York theatrical attorney Donald Seawell, she brought to Broadway productions of Noel Coward ail Away (1962), he Affair by C.P. Snow (1962), her own adaptation of Thurber he Beast In Me (1963), and the Royal Shakespeare Company he Hollow Crown (1963), which went on to tour American colleges for four months in the spring of 1964. For ail Away she was nominated for the Tony Award for Best Producer of a Musical. In association with Kathleen and Justin Sturm she presented hat Hat!, her adaptation of n Italian Straw Hat, in 1964.
With the flamboyant but conservative Bonfils, Stoddard often skirted the outrageous antics of her creative colleagues. Bonfils had made clear her objections to the life-style of the gay and effete showman Coward, and she encouraged Stoddard to confront Coward in his suite at the Ritz during the lavishly praised Boston run-in of ail Away. his may be fine for Boston, but it just won do for New York! she said.
When confronted, Stoddard recalled, an irked Sir Noel exploded: h, Haila, I know as well as anybody that this show stinks and needs a lot of work, and you know I can rewrite the whole thing overnight. You just tell that bleached blonde associate of yours that I have a tassel, and I know how to use it!
In 1962, while interviewing choreographer John Butler, Stoddard asked about a drawing in his powder room by Butler little known friend, Andy Warhol, a window dresser at Tiffany. She asked Warhol to design costumes for Thurber he Beast in Me. obody knew him, she said. e had to get him a membership in the design union. Then they came to the opening night reception in far-out attire. Warhol arrived in that preposterous wig of his. Helen was not broad-minded about odd looking people. ho was that, and how did they get in here? Helen asked. There was no explaining. I pretended I didn know them, and just would wait for the reviews before explaining.
With Helen Bonfils and Mike Davis, Stoddard produced her co-adaptation, with dancer-actress Tamara Geva, of Marcel Achard oulez vous jouer avec moi? as ome Play with Me starring Tom Poston and Lilian Montevecci in 1960, and with Mark Wright and Leonard S. Field premiered Harold Pinter on Broadway in 1967 with he Birthday Party. She later offered...(and so on) To get More information , you can visit some products about carbon film, Electrical Wire Box, . The Valentines Day,Resin Crafts,Ceramics Craft,Polyresin,Decor products should be show more here!
About the Author
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Can someone recomend a football violence film for me to watch with a link 
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not football factory , green street , rise of the foot soldier or cass thanks
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I.D its quite old.
Splashdown: Annual Duck Race fills the Fall River
More than 5,000 rubber ducks splashed into Fall River Saturday afternoon in the 22nd "floating" of the Estes Park Duck Race. Sponsored by the Rotary Club of Estes Park, the annual race raises ten of thousands of dollars for numerous local charities.
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