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Coupe Pioneer
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 2008 Mustang GT Coupe Fusion SE SEL Navigation DVD Disc  US $59.00
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Polk Audio DB651 6.5-Inch Coaxial Speakers List Price: $119.95 Sale Price: $53.49  |
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6-1/2" 2-way car speakers (pair) supplied adapter rings allow for fit into 6-3/4" locations Dynamic Balance polymer/mica composite woofer with butyl rubber surround 3/4" liquid-cooled silk/polymer composite dome tweeter Neodymium tweeter magnet Kapton voice coil ABS wheel-design grilles Stainless steel mounting hardware Certified for marine use Power range: 6-60 watts RMS (180 watts peak power) Frequency response: 35-22,000 Hz Sensitivity: 92 dB Top-mount depth: 1-11/16" Warranty: 1 year |
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Metra 70-1721 Radio Wiring Harness For Honda/Acura 98-Up Power 4 Speaker List Price: $7.95 Sale Price: $0.01 |
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For 1998 Honda connect power and 4 speakers |
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Pyle PL63BL 6.5-Inch 360-Watt 3-Way Speakers (Pair) List Price: $55.99 Sale Price: Too low to display |
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These 6.5-inch Pyle triaxials make a great replacement for your OEM speakers, with 360 Watts of peak power handling and the added definition of a coaxial system. Great sound and wicked looks in an affordable package... |
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RACING CHAMPIONS 1996 PREMIER EDITION BLUE PIONEER DIE CAST VEHICLE Sale Price: $9.99 |
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RACING CHAMPIONS 1996 PREMIER EDITION BLUE PIONEER DIE CAST VEHICLE 1:64 SCALE |
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Power Acoustik KP-653N KP Series 220-Watt 3-Way 6.5-Inch Full Range Speakers List Price: $49.99 Sale Price: $15.77 |
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6.5"3-WAY220W18-OZ MAGNET1.25" VOICE COILFREQ RESP: 60 HZ 20 KHZSPL: 91 DBMOUNTING DEPTH: 2.25 POLYMIDE MIDRANGEPIEZO TWEETERIMP: 4_INJECTION MOLDED CONEBUTYL RUBBER SURROUNDPAIRUPC : 709483022270Shipping Dimensions : 14... |
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Kenwood KFC-1690ie 6-3/4" 2-Way Speakers (Pair) Sale Price: $69.99 |
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* 2-way car speakers for 6-1/2" and 6-3/4" locations (pair) * titanium-coated polypropylene woofer cone with rubber surround * UFLC soft dome tweeter with Image Enhancer 2 baffle * power range: 2-50 watts RMS (250 watts peak power) * frequency response: 30-25,000 Hz |
Here are some more information for Coupe Pioneer:
Your BMW z3 is such a delight to drive. There is nothing like heading out on the open road in this wonderful vehicle, except taking a spin in your z3 while listening to your favorite music or books on tape. There are many online sources for BMW audio upgrades. Most carry a full line of customized BMW z3 speakers as well as BMW car stereo accessories and kits for ipod, bluetooth and satellite radio integration fitting into your car's existing radio and navigation interfaces. Your BMW z3 audio system can be much improved quickly and easily.
Your BMW z3 speakers will make or break the quality of sound that you can achieve in your z3. Popular aftermarket audio components include speakers for BMW z3 audio systems available in speaker packages, subwoofer systems and speaker pairs.
Customized speakers for BMW z3 audio systems are designed to fit in your z3 with no modifications to the interior of the vehicle at all. These speaker packages come as plug and play units, making it easy even for non-mechanics to change out the speakers. By simply upgrading your speakers alone you will notice a marked improvement in the sound quality of your BMW car stereo.
BMW subwoofer systems are the perfect choice for when you want your BMW z3 audio to have maximum bass capabilities. Typically, subwoofer systems take up a great deal of room in your trunk; however, many companies offers subwoofer systems that conserve your cargo space.
Speaker pairs make a great choice when you want maximum control over every aspect of sound quality produced by your BMW audio system. Select from tweeters, midranges and midbases designed to fit your BMW z3. Tweeters are used to amplify and improve the high-pitched sounds in your music. You can replace the tweeters that came from the factory in your z3 by simply plugging in the new ones. Look for customized midrange speakers for both the z3 roadster and coupe. Without properly functioning midrange speakers, you will have distorted vocals, guitars and other sounds in your music. Only basic tools are needed to switch out these types of speakers. New midbases are easy to replace by simply keeping the factory grilles that come standard in your z3 in place. This keeps your interior looking just as it did when you bought it. Durable materials are used in the construction of our midbase speakers, so that they will last for several years.
Your BMW z3 audio system can benefit from upgrades including ipod integration and speaker upgrades. Most audio solution providers carry auxiliary input and installation accessories to make your BMW z3 audio system upgrade a breeze.
Audio sound system expert Wayne Hemrick writes about the bmw z3 audio system.
Broadcasting Pioneer Dzrh Turns 69 By: Susan Isorena-arcega
69 years ago, at exactly 6 in the morning, announcer Hal Bowie took his seat before a microphone in a little studio at the top of the Heacock Building in Escolta, and bid his unseen audience good morning. Thus was born the fourth commercial radio station to operate in Manila. In just a few years, with the entire Philippine archipelago caught in the maelstrom of the Second World War, the fledgling station - which took the call sign KZRH - would buck the challenge of history and remain as the only surviving radio station in the country.
Its auspicious beginnings as the mouthpiece of one of the largest department stores in the Pacific must have laid the groundwork for the station’s commercial viability all these years – a major factor in the survival of the so-called “stepchild of media arts.”
New as it was, KZRH management led by Bertrand Silen was not just armed with the technical know-how in radio operations, but likewise had fundamental marketing knowledge down pat. They knew what radio listeners liked and disliked.
Musical variety shows, comedy skits, and short newscasts were the order of the day. Jazz and ballads became standard fare. Together with American wit, the English language spread. KZRH found itself as an advertising medium, with sponsors like Purico underwriting specific shows which carried their names. Apart from 15-minute blocktime sold to advertisers, commercial spots mixing announcements with music were also produced. KZRH found itself amidst lucrative times.
Then came the grim shadow of war. The Japanese Imperial Army took over the sophisticated equipment, which eventually got blown sky-high by the Americans. And while Silen’s staff – considered the best in the Far East – found themselves either in Bataan, at the internment camps of Santo Tomas and Los Banos, within the guerilla movement, or simply felled by enemy bullets, plans for the rebirth of KZRH upon liberation were kept alive.
Upon being released, Silen sought help from the National Broadcasting Company in New York to secure new transmitters, and with the Elizalde family financing the new operations at the Insular Life Building on Plaza Cervantes, KZRH was back on the air under the auspices of Manila Broadcasting Company on July 1, 1946 – just in time to cover the inauguration of the new Republic.
Soon after, the International Telecommunications Union adjusted the call letters of Philippine radio, and all allusions to the western United States through the letter K were removed. Until today, all radio stations in the Philippines begin with the letter D.
What followed in the next three decades is now collectively known as the golden years of Philippine radio. Programming flourished and a new breed of radio personalities became cultural icons. As the recording industry grew, the live orchestras of yore soon gave way to music on vinyl. Cover versions and Disc Jockeys came into being. Radio dramas hit an unprecedented boom, eventually translating to the celluloid screen.
Lina Flor’s immortal Gulong ng Palad, which debuted in 1949, led a slew of soap operas that filled the airlanes in the mornings and afternoons. Because they had the housewives and sometimes the rest of the domestic ménage as captive audiences, these dramatic serials were strongly supported by major advertisers whose sales messages got very close attention through each saga. Radio dramas picked up on domestic relations, but also featured action, adventure, horror, and even murder-mysteries. Appealing to the imagination as well as to real-life need, DZRH secretaries fondly remember some callers even insisting on speaking to Ginang Hukom herself.
Indeed, DZRH easily adopted the habit of setting trends and institutionalizing them. Sportscasting dean Willie Hernandez, the network’s comptroller in the mid-fifties, lent his voice to sports coverages and in so doing, made legendary Filipino basketeers like Carlos Loyzaga, Francisco Rabat, and Luis Lorenzo household names.
The feisty commentator Rafael Yabut, also had his sterling years with DZRH. Starting out as the station electrician, he rose through the ranks to become the station’s PR man. Loyal fans kept glued to their radios when he hosted the game show Ruleta Musikal. On the top-rating Tayo’y Mag-aliw, Yabut dwelt on government and politics, family values, trivia, and entertainment.
But it is easily Dely Mapayo who has been - up to this day - the most widely known personality behind the microphone at DZRH. Her easy chatter, contagious laughter, and sparkling wit won her sponsors and hosts of listeners through her career’s work. From the PMC-backed Tugtugin Natin to Himig Panghapunan in vintage years, and eventually the starkly simple Tiya Dely, which DZRH still airs today, the lady and the station have remained synonymous for over 50 years. Radio quiz shows also emanated from the DZRH studios. In Spell-to-Win, household appliances were at stake for someone who could spell words like “bouillabaise”. On Best of the Band, popular crooner Bimbo Danao tried to stump the audience with his original game format a-la “name that tune.” And on Palmolive’s Knowledge Unlimited, even listeners contributed questions such as “what war took place in 1812?”
The Vicks Variety show opened doors for a new program format that addressed Tagalog-speaking audiences with pop-concert presentation of Philippine music. Singer Jimmie Navarro who won the DZRH radio popularity poll, replaced Mystery Singer Cecil Lloyd and teamed up with Priscilla in performing a new romantic duet every week. While listeners wrote to request old favorites, new compositions were also introduced to the public.
Letter-sending, has indeed, contributed greatly to the way DZRH developed over the years. Ira Davis, who produced the long-running programs of Philippine Manufacturing Company, patiently read through thousands of letters that came in every week. The notes were routed to management and gave them firsthand information on what sort of radio entertainment – even commercial copy – that listeners preferred. And the advertisers took note of those market preferences.
In later years, DZRH received more immediate feedback -- through the telephone, through pocket pagers, through mobile technology, and today, through cyberspace. But the formula remains the same: innovate...improve...listen...keep the pulse. And decades hence, the station which survived the horrors of war is also surviving the competition. DZRH as the flagship station of Manila Broadcasting Company is proud to be the purveyor of news as it should be delivered, adhering to the highest standards of broadcasting excellence in the country. It continues to be a witness to Philippine history as it unfolds, and yet remains faithful to the mandate of fair and responsible journalism. In 1986 it was the only station that aired nationwide a detailed account of the ouster of President Ferdinand Marcos. Three years later, DZRH reporters found themselves risking life and limb to keep the public abreast of the attempted coup d’etat, and manifesting its spirit of compassion to wounded rebel soldiers.
DZRH today boasts of veteran radioman Joe Taruc anchoring the DZRH team in defining the public affairs program genre from the Pinoy perspective. Despite the seeming erosion of the morning news by the telemagazines, Taruc remains confident that nothing beats the immediacy of radio.
DZRH News Director Andy Vital, on the other hand, has taken new media by the horns for the station’s benefit. Internet radio and live chats are used to maximize the station’s accessibility to audiences both here and abroad. He has also encouraged popular DZRH announcers like Ruth Abao and Rey Sibayan to maintain individual blogs. And with his iconic colleague “Lakay” Deo Macalma seemingly attuned to the secret lives of public figures and celebrities alike, vigilance in good governance through reports from his bubwits is still in keeping with the station’s mien for popular entertainment. But perhaps it is in the field of public service where DZRH has truly earned its merits. Through Operation Tulong - the station’s socio-civic arm first launched in 1978 -- corporate social responsibility and anonymous Samaritans work hand in hand. Armed with their credo of Serbisyong Bayan, DZRH responds to the needs of the ordinary man-on-the-street with the same compassion and determination it devotes to massive disaster-relief operations, through networking support from advertisers, NGO’s, and government agencies.
On its 69th anniversary, DZRH will conduct a medical-dental mission in cooperation with the Philippine Medical Association, Gat. Andres Bonifacio Medical Center, the Department of Health, the Philippine Air Force, the Philippine Charity Sweepstakes Office, PAGCOR, and other generous donors. DZRH has also invited the Optometrists Association of the Philippines to provide free eye examinations, with MBC donating 500 free eyeglasses. Teaming up with Islands Exhibit Link, the station will likewise hold a two-day Job Fair, with more than 40 participating companies and recruitment firms providing domestic and international work opportunities. DZRH has also invited the Public Attorney’s office, Batas Barangay, and their network of lawyers to provide free legal assistance. And for those availing of these public service offerings, DZRH is also serving free porridge (lugaw) as a gesture of unity with the masses who have supported them all these years.
Over a decade ago, the station embarked on a “One Nation, One Station” initiative, expanding its coverage to an unprecedented 97% of the Philippine archipelago. To date, DZRH is the only station in the country that is on the air nationwide 24/7 on stereo-quality, simulcast via satellite to relay stations in key provincial cities. Through all these, DZRH and the top brass at Manila Broadcasting Company have remained fully cognizant of their target listeners and have used this to master their programming thrust. They have convinced advertisers to support their efforts at activation and integration in reaching mass audiences. DZRH taps into the consciousness of the Pinoy, takes inherent socio-cultural phenomena like fiestas, raffles, and machismo sports. . . and actively makes them tick. At the same time, through creative thinking by the staff and high-quality execution by their announcers, DZRH has translated traditional broadcasting techniques like talk-radio and soap operas into productive and impacting forms of integration or product placement that have become increasingly more efficient in moving brands across a complex media landscape.
But it is the way DZRH announcers today relate to their listeners that truly spells the difference. It is a legacy handed down through generations of broadcasters who knew their audiences. It is foresight brought about by the changing of the times. It is a style acquired through personal interaction with the man-on-the-street. And it is a mantle of leadership, new experiences, and empathy toward mankind brought about by having made it through 69 years.
Congratulations, DZRH – kaunaunahan sa Pilipinas!
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What is the best amp to buy ($200-$350) for a 2002 Honda Civic LX coupe?
I installed two after-market pioneer speakers but I dont think my car's deck can support it so I need to get an amp.
it depends on what you will have hooked up to the amp. Most head units can have an amp hooked up to them. If the speakers you bought are midranges or tweeters, you wont need much power. If they are subs, you want to try to match the their power rating to the amp. example: 400w sub----->300-400w mono amp (both rms), double for 2 speakers
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