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Remote Slave
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Reviews can play an important in the research phase of any product. To be helpful, reviews need to present a variety of facts to aid in the selection process for a consumer. We have developed a five category system to help compare different massage chairs. This system weighs the 5 categories equally allowing each one to earn 20 points. The score of each category is then summed to give a total score for that massage chair. This is by no means a perfect system, but it provides a more systematic approach to the evaluation process. The 5 categories we use for the review include: Warranty & Customer Service, Comfort/Ergonomics, Ease of Use, Features and Massage Therapy. We hope you find this approach helpful for your research. This review is of the Real Ultra EP30004. This shiatsu massage chair is in the $4,000 to $5,000 range.
Warranty & Customer Service:
The first category is warranty and customer service. The warranty is the protection given to the consumer for the product. The shorter the warranty, the more risk the customer has to take in the transaction. With the EP30004, Panasonic gives a 1 year labor, 3 year. This is the warranty directly from the manufacturer. This is a rather short warranty period for the dollar value of the transaction. In most cases, the consumer can purchase an extended warranty for this massage recliner, but then that drives the total cost of the product. If you require customer service, then you must contact your original retailer. This certainly means that customer service and turn around times are variable and depend on the retailer. Overall Rating for Panasonic warranty and customer service is 15.
Comfort & Ergonomics:
Massage chair recliners usually have a dual function. One is obviously to massage, but the other is as a recliner. Therefore, comfort is usually an important consideration, since the chair may not always be used in the massage mode. A recliner should be comfortable to sit on. The Real Pro Ultra comes with padded armrests. There is a comfortable, soft upholstered head pillow to support the head. We found the recliner is comfortable to sit in. The leg ottoman is adjustable out an extra 5 inches, which helps to target your legs better. The Real Pro Ultra is well designed from an ergonomic point of view. Overall Rating for Panasonic comfort and ergonomics and customer service is 18.
East of Use:
The massage chair industry increases the functionality of its chairs every year. With the increase in functionality comes increasing complexity of controls to run them. Our ease of use category is for making the controls of the chair as intuitive as possible for the user. Panasonic is one of the premier electronics companies in the world, so we expect them to completely understand this issue. Panasonic has pioneered the use of a "Voice Guidance" system in their chairs to help consumers with ease of use. This interactive system enables novice users to quickly understand and use the chair to maximum benefit. The remote is very cleanly designed and intuitive. It is not cluttered like many controllers we evaluate. The remote comes with memory functions that can remember the favorite massages of up to 4 different users. Manual controls are located in the side panel of the remote. Overall Rating for the EP 30004 for ease of use is 19.
Key Features:
The important features of the EP-30004 are the Junetsu massage and the shoulder/arm stretch. Panasonic has developed the Junetsu style massage in the Real Pro Ultra. The Junetsu is an ultra fine kneading massage. This uses small circular motions that penetrate deeply through the muscles for a soothing massage therapy. Panasonic has developed a novel shoulder stretch in the EP 30004. The arm rest has padded covers that lift up, where the hands and arms can be placed inside. The airbags then activate to which hold the arms. The chair back then reclines slightly to extend the arms and shoulders. This slow, gradual stretch helps to elongate the muscles of the arms and shoulders. This stretch helps to remove tension from the muscles and increase the range of motion. Overall Rating for the Real Pro Ultra for features is 19.
Massage Therapy:
The massage functions built into the EP 30004 include both automatic and manual programs. There are four 15-minute Pre-Programs, One 5-minute Quick Program and One 15-minute Self Program. There are 4 full body automatic courses and 5 different massage speed settings. The automatic massage functions include the following: Shiatsu, Gentle, Deep and Refresh. Panasonic has developed its exclusive Junetsu or ultra fine kneading massage system in the Real Pro Ultra. This chair provides high quality and realistically replicated massage therapies. There are two stretching functions. There is a lower body stretch and the shoulder stretch. The lower body is covered with 22 airbags including the hands, arms, buttocks, calves and feet. This chair also provides both Swedish and shiatsu style massages for excellent massage coverage. Overall Rating for the EP 30004 massage recliner for massage therapy is 19.
How does the Real Pro Ultra EP-30004 rate on an overall basis? Summing up the score, our overall rating of the EP 30004 is a 90/100. Panasonic continues its innovation with cutting edge massage therapies such as the Junetsu massage technique and the shoulder stretch. The technologies incorporated into this massage recliner are solid. We are still a bit disappointed with the aesthetics of this chair, which is very plain. Panasonic has incorporated an extendable ottoman which helps reach a taller user more effectively. The massage therapy tends to be a bit lighter than other chairs which over longer term use may be a concern for some. But, overall, this is a well designed and effective massage chair recliner. If you are looking for a shiatsu recliner in this price range, then this is one you should check out.
If you are interested in finding out more about the Panasonic EP 30004 Massage Chair, check us out for more information of luxury brands at Massage Chair Warehouse. Make an informed decision by perusing a variety of information including product reviews, articles and much more.
Photographer's Studio Lighting
Photographer’s Studio Lighting
R. Dodge Woodson
The right lighting system combined with a camera that offers a fast shutter speed can literally stop a bullet in mid-air. Well, it looks stopped when you see the picture. No, I'm not suggesting that you shoot the lights and watch them explode on impact. I'm referring to capturing the rotating bullet as an image. Studio strobes can be extremely powerful and can stop all sorts of motion without risk of blurred images.
If you plan to convert a spare bedroom, basement, or attic into a studio, you should give serious consideration to buying some studio strobes. This type of lighting is not cheap, but you can get name-brand lights that do a wonderful job for reasonable prices.
My studio lights are made by Novatron®, and I'm very happy with them. This company is known for its excellence in lighting equipment for both serious amateurs and professionals. It is common to find kits offered by Novatron and other quality manufacturers that will give you all the basics of good studio lighting. For less than $600, you can frequently find kits that include at least two flash heads, sometimes three, light stands, umbrellas, a carrying case, and other accessories. Anyone with an interest in studio photography can benefit from these semi-pro lighting kits. If you decide to use this type of lighting, invest in a good light meter that takes flash readings. Otherwise, you will suffer trial-and-error exposure ratings that will be very frustrating. Another option is to use the automatic mode on your camera and depend on the camera’s light meter.
Quartz
Quartz-halogen lights are an alternative to flash heads for studio photography. Problems occur with flash photography. One of the most common is finding out after you look at pictures taken that the flash units created unwanted shadows. This doesn't happen with quartz-halogen lights. These lights are on while you are composing a picture, so you see the exact effect the lighting has on your subject. This is a big advantage for a lot of photographers. An added bonus to this type of lighting is that it's less expensive than flash units. A good quartz-halogen starter get will cost you about $250. It will include the lights, barndoors (which allow you to angle the lighting), light stands, and a carrying case.
(CAUTION) Quartz-halogen and other photo lamps get extremely hot during use. They can easily inflict serious burns and are capable of starting fires if they come into contact with flammable materials.
I started my studio lighting with quartz-halogen lights and continue to use the same lights today. My flash heads see a lot of use, but so do my steady lights. Both types of lighting have their advantages and disadvantages. One drawback to quartz lights is that they get very hot. This can make a model's make-up run, present a fire hazard if flammable materials come into contract with them, and there is some risk of serious burns if someone touches the lights.
Another problem with quartz lighting is that it can't stop motion like a flash unit can. Since quartz lighting produces tungsten lighting, you will have to put a corrective filter on your lens to maintain accurate colors in color photographing. But, this is no big deal. Of course, you can made lighting corrections in your photo editing program in your computer.
Quartz lights allow you to take normal light readings. This can be done with an independent light meter or the one that is in your camera. A flash meter is not required. Since quartz lights are on at all times, you can see shadows and lighting effects before you fire the shutter. This is a big help. If you want big-time lighting on a limited budget, quartz-halogen lights are the way to go.
Ring Lights
Ring lights are a specialty flash. They are used with macro lenses when taking close-up pictures. These units often consist of a sensor that mounts in the hot shoe of a camera, a battery pack, and the flash attachment. The flash mounts on the ring of a lens, in a way similar to a filter. Since the flash elements surround the lens, it gives good, even illumination of your subject. Some models, like the one I have, allow you to disable one-half of the ring for creative photography. Other models fire all at one time. For documentary photography of close-ups, ring lights can't be beaten.
A ring light would not normally be used for anything other than documentary work. Taking a picture of a human model with a ring light used for flash would result in a bright, well-lit photograph that would probably be boring. Ring lights bring out extensive detail in subjects. This is usually not desirable when photographing people or pets. If you don't chase after grasshoppers, mushrooms, and wildflowers, you shouldn't need a ring light. But, if you love to bring nature home on your memory card with you in a film canister, a ring light might be right for you.
Flash In a Box
Some photographers like to take their flash shows on the road. If you are one of these road warriors, look into portable studio flashes that can travel with you. Any studio lighting can be used where electricity is available, but if your take your photos off the beaten track, you may want some battery-powered flashes to go along with you. There are two ways to do this. One is much more expensive than the other.
If you want to take full-power studio strobes out into a meadow to photograph a model, be prepared to spend between $1,000 and $1,500 for the privilege. You might find a portable, battery-powered location kit for less than $1,000, but they are not numerous. It might be cheaper to take your regular studio lights and rent a small electric generator for your location session. For that matter, it might even be cheaper to buy a small generator to run your AC lights. It's very difficult to justify or afford location strobes. But, don't get discouraged; I'm going to show you how to beat the system.
Most photography doesn't require super-powerful studio strobes. If you want to take models on location and get some great shots, you can do it with inexpensive, portable, battery-powered flash units. I'm talking about the same electronic flashes that you might normally mount on your camera. These flashes when put together with either sync cords or slaves and some light stands make a good substitute for expensive location kits. You can still use umbrellas and reflection cards, and you will save a tremendous amount of money. Granted, you won't have the full power and control you would with a location set, but you probably won't need it.
To give you an idea of the results you can receive with inexpensive, pocket-size flash equipment, let me share a story from my past with you. When I started doing wedding photography, I couldn't afford the best equipment, but I needed my work to look good. My second wedding assignment was a tough one.
I was going to have to light a large dance room with electronic flash to meet the demands of my customer. This would have been a good time to own a location set of strobes, but I didn't. To compensate for my problem, I took several modest flashes, some inflatable umbrellas, and some light stands to the reception area. My assistant and I positioned the lights prior to the crowded arrival of guests. Each electronic flash was equipped with a peanut slave. When I fired my powerful, bracket-mounted camera flash, all of the slaves would trigger the other flashes. This simple, inexpensive set-up allowed me full light coverage of a large room and crowd with minimal cost.
I have never owned a location set of strobes. During all of my years in the field, I've always used simple, battery-powered flashes with good results. You can spend a lot of money on flashy pro gear if you want to, but it's rarely needed.
Other Flash Factors
There are a number of accessories available for photographers who use flash equipment. Whether you're using a $60 pocket flash or a $1,000 pro setup, you can always enhance your flash photography with accessories. Buying stuff is half of what makes photography so much fun! The accessories available are not mandatory equipment, but many of them can improve your photography and produce nice special effects. You will need a camera with either a hot shoe or a pc sync connection port.
Many photographers advance to a point where they want remote and or multiple flash sources. If you reach this level, you will likely use a sync cord for your remote flash. Slave devices can be used to trigger multiple flashes. There is one problem often encountered with sync cords. They don't always maintain good connections with the camera body.
You can reduce flash failures by using a sync key, a small device that resizes the connection pieces, to keep your connections tight. This is a very inexpensive accessory that should be kept in your camera bag or vest at all times when doing flash photography.
Slaves come in a variety of shapes and sizes. Peanut slaves are inexpensive and work well under most conditions. This is the type of slave that I use, and I can recommend them highly. Most slave devices are made like a hot shoe. The ones that are not can be coupled with a remote flash by using a sync cord. The cord runs only from the slave to the flash, not from your camera body to the remote devices. Once you get to the point of doing creative things with artificial lighting, you will want multiple flashes and remote firing devices.
Studio strobes of good quality usually have slaves built into them. When you fire one light, they all go off. Before you invest in any studio strobes, make sure that they have adjustable power settings and built-in slaves. When this is the case, you only have to connect one light to your camera body with a sync cord, which is also known as a PC cord.
Filters
Filters are available for most photographic lights and flashes. Using filters with your lighting can produce some outstanding results. Even inexpensive pocket flashes are often sold with an assortment of colored filters. Some models use gel-type filters and others use plastic filters. It is a good idea to make sure that any lighting units you buy will accept filters for future interests in special effects.
Snoots
Snoots and barndoors sound like things you would find down on the farm, but they are accessories for photography lighting. Any reputable studio light will accept these types of accessories.
Barndoors consist of two or four metal flaps that allow you to angle light creatively. Snoots are used to concentrate a beam of light. They are often used to highlight a model's hair. There are many other types of add-ons available for studio lighting, so make sure the products you are considering will accept them.
Umbrellas
Most people have seen umbrellas used in flash-photography sessions. They are used to bounce light in a soft, shadowless, attractive manner. Most photographers use white umbrellas, but silver umbrellas produce more bounce. You should experiment with both types until you are comfortable with which one to use on various assignments. As good as umbrellas are, the can be cumbersome at times, and they don't allow a lot of mobility. There is a solution to this dilemma.
Inflatable umbrellas are the answer to higher mobility and better results when using small flash units. These little blow-up umbrellas are only several inches in diameter, but they produce great results. They attach to an electronic flash with elastic bands. Your flash fires into the clear surface of the device and is reflected by the white or silver interior surface. You get bounced lighting from a small, portable, affordable package. I've used them to photograph modeling sessions and weddings with wonderful results. This is one accessory any serious flash photographer should own.
Reflector Cards
Reflector cards are often used in photography. They are implemented with natural light and flash photography. A reflector card can be a small, hand-held size, or it can be a large unit that is supported by a stand. The painted walls and ceilings of buildings act as large reflector cards for photographers bouncing flashes. By bouncing flash or natural light with reflector cards, you receive lighting that is not harsh and distasteful.
Lightweight survival blankets fold to pocket-size proportions and are often silver on one side. These inexpensive items make fantastic reflectors.
Meters
Light meters are critical to good photography. Most modern cameras have some type on built-in meter, but these meters can be fooled under certain conditions. The use of multiple flash units is one of these conditions. If you are going to do much flash photography with any type of flash other than a dedicated, automatic, on-camera flash, invest in a decent flash meter. You will save time, frustration, and wasted film many times over. A lot of flash meters double as reflective meters, so that you are getting two meters for the price of one. This is the type that I would recommend. Flash photography and studio lighting can add a new dimension to your hobby, so give it serious consideration. You should enjoy the journey.
About the Author
R. Dodge Woodson is a full-time internationally-known, best-selling author and photographer. Dodge recently entered semi-retirement and created the World Photographers Organization (WPO). Photographers of all skill levels come to WPO to learn, to increase their sales, and to take advantage of the extensive resources offered to the general public and members. He also created an e-commerce site, www.ccionlinesales.com to showcase his brainchild. the Book Buster e-books. The site offers a full selection of Book Busters, e-books, used bound books, new bound books, stock photography, and much more. Having been a pro photographer for more than 30 years and a full-time writer for 17 years, Dodge now feels it is time to share his tricks of the trade with up-and-coming freelancers.
What do we know about paupers in 1880 as enumerated by the federal census?
Purely by accident I discovered one of my ancestors (Charity Towns) living in another household in the same county (Yalobusha MS)as enumerated in the 1880 census.
I am not quite understanding why she would not be living with her children
and grandchildren. Especially since the household seems not to have had a
male head.
I believe the key to my question would be what was determined to be "pauper" in 1880 for census purposes.
Her son, Washington, was living on homestead property (land patent from his "father") nearby with a second wife and children quite prosperously.
She was a former slave that was brought to Mississippi by Washington's
father during the 1830s after a tobacco crop failure in Virginia.
Armistead Terrell Townes died in 1855 and is buried in a rather remote
cemetery in Yalousha County. To our knowledge, Washington (born in
1820) had no siblings.
What do we know about paupers in 1880?
Can anyone provide a clue?
My guess is that a 'pauper' would be an indigent. Someone who had no income. I found a relative from eastern Europe on a list w/ the designation of a pauper.
At this point in her life Charity Towns was 90 years old, so, wouldn't be working. Also, it looks like she might have been living with relatives. I noticed a Neill Towns listed at that address. Maybe it is just a large extended family and a better situation for her? Perhaps her relationship w/ her son or her new daughter-in-law wasn't the best? They seem to have had quite a few people on their homestead and although one man is 80 most of them were younger.
So, who knows, it could be as simple as the household that Charity was living with was more serene?
The Black Codes in Mississippi circa 1865 include this "...and in case freedman, free negro or mulatto cannot hire out, he or she may be dealt with as a pauper."
http://afroamhistory.about.com/library/blmississippi_blackcodes.htm (Scroll down to Section 5 and 6 toward the bottom of the page) I think that after the Civil War the Freedman's Bureau was somehow involved at times.
Here is an interesting site that talks about Miss. State Poor Laws -1904 (maybe some of this would be information that would be similar to the 1880s? (see below)
http://www.poorhousestory.com/MISS_LegalSummary.htm
http://www.poorhousestory.com/poorhouses_in_mississippi.htm
Zanzibar: East Africa's island outpost
Zanzibar, with its dreamy capital and dazzling coast, is the place to head for a few days on the beach after a safari. Thembi Mutch explores the archipelago.
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